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20-Feb-2016 02:49 by 4 Comments

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Figures from Indian history are transformed into characters from mythology, and the mythical story of India is retold as a history of Indian independence and subsequent history, up through the 1980s.Some critics have identified an element of subversion in the novel [1]. The Mahabharata is an epic tale describing the historical dynastic struggle over the throne of the kingdom of Hastinapur between the Pandavas and the Kauravas, two branches of the heirs of the King Shantanu.

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Introduced is the character of Sir Richard, the British resident at Hastinapur, who is complaining about the increasing radicalisation of Ganga Datta, who is still serving as regent of Hastinapur.Sir Richard is furious about the events of Motihari and Heaslop notes that Gangaji had never formally resigned from the regency of Hastinapur.The regent having committed sedition, Hastinapur can now be annexed by British India.A significant characteristic of Tharoor's version of the story is the emphasis on the older generations (e.g., Bhishma, Dhritarashtra, and Pandu) and the resulting de-emphasis on the actions of the Kauravas and the Pandavas.The organisation of the sections and chapters of the novel mirrors the organisation of the Mahabharata and the themes and events addressed in each allude to themes and events of the mirrored sections of the epic.Gangaji is arrested and he pleads guilty to defying a police order, but his action results in a victory for the peasants of Motihari.

Counterpart to the Mahabharata's "Book of the Forest." The title of this section alludes to Louis Bromfield's The Rains Came. I lost my family too.”I swallowed, feeling something all to familiar well up behind my eyes. I was frozen as his lips angled over mine, enocuraging them to open. Dhritarashtra and Gandhari’s marriage is off to a good start.The devoted young bride has resolved to forever covering her eyes with a blindfold so that she is deprived of whatever her husband is deprived of.V."), the narrator, recounts his personal history; the seduction of Satyavati by the Brahmin Parashar and his own birth; the origin of Ganga Datta from the union of Shantanu and the now absent Maharanee (whom he met on the banks of the Ganga (Ganges) and who had had seven suspicious miscarriages); the marriage of Shantanu and Satyavati and Ganga Datta's vow of chastity; the birth of Chitrangada and Vichitravirya and the latter's marriage; Ved Vyas's insemination of Ambika and Ambalika; the vow of revenge against Ganga Datta taken by Amba; the birth of Dhritarashtra and Pandu; and the assignment of Ganapathi by Brahm's Apsara Agency to transcribe Ved Vyas's memoir, which V. describes as the "Song of Modern India." Counterpart to the Mahabharata's "Book of the Assembly Hall." The title of this section alludes to Paul Scott's The Jewel in the Crown.

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